Monet's Garden at Argenteuil 1873; Oil on canvas, 61 x 82 cm; Private collection ¹Ù·Î ¸ð³×ÀÇ Á¤¿øÀ» º¸±â À§ÇؼÀÌ´Ù. ¸ð³×°¡ »ì¾Æ »ýÀü ¿°ú ¼ºÀ» ´ÙÇØ ²Ù¸ç³õÀº È´Ü°ú ¿¬¸øÀº ¸ð³×ÀÇ °¡Àå ÀÌ»óÀûÀÎ ÀÛÇ° ȤÀº °¡Àå ÀÌ»óÀûÀÎ ÆÈ·¹Æ®¶ó ÇÒ ¼ö ÀÖ´Ù. ¸¹Àº È°¡µéÀÌ À¯Ç°À¸·Î ȱ¸¿Í ÆÈ·¹Æ®¸¦ ³²°Ü³õÁö¸¸ ¸ð³×ÀÇ ÀÌ ÆÈ·¹Æ®¸¸Å Å©°í ¾Æ¸§´Ù¿î °ÍÀº ÀÌ ¼¼»ó¿¡ ¾ø´Ù. Japanese bridge 1899; Oil on canvas, 89 x 93.5 cm Paris, Musee d'Orsay ¸ð³×ÀÇ Á¤¿øÀº ¸ð³×ÀÇ ³²´Ù¸¥ ºû°ú »öÀÌ ¾îµð¼ ³ª¿Ô´ÂÁö¸¦ »ý»ýÇÏ°Ô º¸¿©ÁÖ´Â ¿ì¸®°¡ ¸¸³¯ ¼ö ÀÖ´Â °¡Àå È·ÁÇÏ°í ¸ÚÁø È°¡ÀÇ ÆÈ·¹Æ®ÀÎ °ÍÀÌ´Ù. ±× ¾î¶² ¹°°¨ÀÌ ÀÌ°÷ÀÇ ¼ö¸¹Àº ²Éµé ±× À̸§Á¶Â÷ Çì¾Æ¸®±â ¾î·Á¿î °¢¾ç°¢»öÀÇ ²Éµéº¸´Ù ¾Æ¸§´Ù¿ï±î. ¸ð³×µµ »ýÀü¿¡ ÀÌ ÆÈ·¹Æ®¸¦ ÀÚ¶ûÇÏ´À¶ó ¸¹Àº »ç¶÷µéÀ» ÀϺη¯ ÀÚ½ÅÀÇ Áý¿¡ ÃÊ´ëÇß´Ù. Japanese bridge 1900; Oil on canvas, 89 x 93 cm Boston, Museum of Fine Arts "ÀÌ°÷ Àü¿øÀº ¹«Ã´ ¾Æ¸§´ä½À´Ï´Ù. ¿©±â ¿Í¼ ÀÌ Á¤¿øÀ» ±¸°æÇ϶ó°í ÆíÁö¿¡ ¾²°í ½Í¾ú´ä´Ï´Ù. Á¤¿øÀº Áö±ÝÀÌ ÇÑ⶧ÀÌ´Ï ÇÑ ¹ø ¿Íº¼ ¸¸ÇÒ°Ì´Ï´Ù. º¸¸§ Á¤µµ¸¸ Áö³ª¸é ´Ù ½Ãµé¾î ¹ö¸®´Ï±î¿ä." (1900³â 5¿ù ¸ð³×°¡ ±Í½ºÅ¸ºê Á©ÇÁ·ç¾Æ¿¡°Ô ¾´ ÆíÁö) Haystack at Giverny 1886; Oil on canvas, 60.5 x 81.5 cm State Museum of New Western Art, Moscow ³»°¡ Áö¸£º£´Ï¸¦ ¹æ¹®ÇÑ µÚ Æĸ®ÀÇ ¹Î¹ÚÁý¿¡¼ ¸¸³ ÇÑ ¹Ì´ë ¿©Çлý¿¡°Ô ÀÌ°÷À» ²À °¡º¸¶ó°í ±ÇÇß´õ´Ï ±Þ±â¾ß´Â ÀÌƲÀ» ¿¬¼ÓÇؼ ¹æ¹®Çß´Ü´Ù. ³Ê¹«³Ê¹« ¾Æ¸§´Ù¿ö¼ µµÀúÈ÷ ´Ü ÇϷ縸 º¸°í µ¹¾Æ¼³ ¼ö ¾ø´Â Á¤¿øÀ̾ú´Ù°í ÇÑ´Ù. ¿©Çà°´ÇÑÅ×´Â ÇÏ·ç°¡ ¾Æ´Ï¶ó ÇÑ ½Ã°£µµ ±ÝÂÊ °°Àº °ÍÀε¥ ÀÌƲÀ̶ó´Â ½Ã°£À» ¿ÂÅë ÀÌ ¾Æ´ãÇÑ Å©±âÀÇ Á¤¿ø¿¡ ½ñ¾Ò´Ù´Â °ÍÀº ¸ð³×ÀÇ Á¤¿øÀÌ °®´Â ¸Å·ÂÀÌ ¾î¶² °ÍÀÎÁö¸¦ »ý»ýÈ÷ ÀüÇØÁÖ´Â »ç·ÊÀÌ´Ù. Monet's Garden at Giverny 1895; Oil on canvas, 81.5 x 92 cm ±×·¡¼ ¹Ý µ¥¾î ÄÍÇÁ¶ó´Â ÀÌ´Â ´ÙÀ½°ú °°ÀÌ ¸»Çß´Ù. "¸ð³×¸¦ ±íÀÌ ÀÌÇØÇÏ°íÀÚ ÇÑ´Ù¸é ²ÉÀ¸·Î µÚµ¤ÀÎ Áöº£¸£´ÏÀÇ ¼º¼Ò¸¦ ¼ø·ÊÇÏ´Â °ÍÀÌ ÇʼöÀûÀÔ´Ï´Ù. ±×·¯¸é ±×ÀÇ ¿µ°¨ÀÇ ¿øõÀÌ ¹«¾ùÀÎÁö ±ú´ÞÀ» ¼ö ÀÖ°í ½ÉÁö¾î ¸ð³×°¡ ¿ì¸® °¡¿îµ¥ »ì¾Æ ÀÖ´Â µíÇÑ »ó»ó¼ÓÀ¸·Î Àڽŵµ ¸ð¸£°Ô »¡·Áµé¾î°¡°Ô µË´Ï´Ù." Magpie 1868-69; Musee d'Orsay, Paris ¸ð³× ¿ª½Ã »ì¾Æ »ýÀü Á¤¿ø¿¡ ³ª¿À¸é ¶§·Î ¸î ½Ã°£ µ¿¾È ²Ä¦ ¾Ê°í ¿¬¸øÀ» °¨»óÇÏ°ï Çß´Ù°í ÇÑ´Ù. Water Lilies 1906; Oil on canvas, 87.6 x 92.7 cm; The Art Institute of Chicago ¼ö·Ã (1906³â) ³ªµµ ±×·¸°Ô ÀÚ²Ù Á¤¿øÀÇ Ç³°æ ¼ÓÀ¸·Î À̲ø¸®´Â °æÇèÀ» ÇÏ¸é¼ ÀÌ ´ÙÀ½¿¡ Ȥ½Ã Àü¿øÁÖÅÃÀ» Áþ°í »ì ¼ö ÀÖ´Â Çà¿îÀÌ ³ª¿¡°Ôµµ ã¾Æ¿Â´Ù¸é, ÁýÀº ´ëÃæ Áþ°í »ì¾Æµµ Á¤¿ø¸¸ÅÀº ¾Æ¸§´ä°Ô ²Ù¸ç º¸¸®¶ó ²Þ²Ù¾î º¸¾Ò´Ù. ¸ð³×ÀÇ Á¤¿øÀº ±×·¸°Ô ¾Æ¸§´Ù¿ü´Ù. ¸ð³×´Â ÀλóÁÖÀÇÀÇ È¿½Ã °¡¿îµ¥ ÇÑ »ç¶÷ÀÌ´Ù. ÀλóÁÖÀ¸¤Ó¶ó´Â ¸» ÀÚü°¡ ¸ð³×ÀÇ °ÉÀÛ<Àλó, Çص¸ÀÌ>(1873)¿¡¼ ºñ·ÔµÈ °ÍÀÌ´Ù. Impression, soleil levant (Impression, Sunrise) 1873; Oil on canvas, 48 x 63 cm; Musee Marmottan, Paris Àλó, Çضߴ ±¤°æ (1873³â) "¿¹¼úÀÇ º»ÁúÀº Èı¸ÇÏÁö ¾Ê°í ÀÎ»ó °°ÀÌ Ç¥ÇÇÀûÀÎ ºÎºÐ¸¸ Ãß±¸ÇÑ´Ù'´Â ºñ¾Æ³ÉÀ¸·Î ·çÀÌ ·ç¸£¾Æ¶ó´Â ºñÆò°¡°¡ Áö¾îÁØ À̸§ÀÌ´Ù. ÇÏÁö¸¸ ±×°ÍÀº Áöµ¶ÇÑ Æí°ßÀÌ´Ù. London: Houses of Parliament at Sunset 1903; Oil on canvas; private collection Âû³ªÀÇ ºûÀ» Èı¸ÇÑ´Ù°í ÇÏÁö¸¸ ÀλóÁÖÀÇÀÇ Ãß±¸´Â À̸¦Å׸é 'Áö»ó¿¡¼ ¿µ¿øÀ¸·Î' À̾îÁö´Â, À¯ÇѼº°ú ¹«ÇѼºÀÇ °æ°è¸¦ µ¿½Ã¿¡ ³Ñ³ªµå´Â Ãß±¸ÀÌ´Ù. ±×°ÍÀº Âû³ªÀÇ ¾Æ¸§´Ù¿òÀ¸·Î ¿µ¿øÈ÷ º¯ÇÏÁö ¾Ê´Â ¼¼°èÀÇ º»ÁúÀ» Æ÷ÂøÇÏ·Á´Â ½ÃµµÀÌ´Ù. ¸ð³×ÀÇ °³ÀÎÀû °æÇè¿¡¼µµ ¿ì¸®´Â ±× °°Àº ÁöÇâÀ» ¶Ñ·ÇÀÌ ÀÐÀ» ¼ö ÀÖ´Ù. The Stroll, Camille Monet and Her Son Jean (Woman with a Parasol) 1875; Oil on canvas, 100 x 81 cm National Gallery of Art, Washington, D.C. 1879³â 9¿ù 5ÀÏ ¸ð³×´Â ¾Æ³» Ä«¹ÌÀ¯¸¦ Àú ¼¼»óÀ¸·Î ¶°³ª º¸³Â´Ù. ±×·Î¼´Â ³Ê¹«µµ °ßµð±â Èûµç ±«·Ó°í °¡½¿ ¾ÆÇ »ç°ÇÀ̾ú´Ù. ¿ì¸® ½ÄÀ¸·Î À̾߱â ÇÏÀÚ¸é Á¶°Áöó¿´´ø ¾Æ³» Ä«¹ÌÀ¯ Coquelicots (Poppies, Near Argenteuil) 1873; Musee d'Orsay, Paris ±× ¾Æ³»¸¦ Á¦´ë·Î È£° Çѹø ½ÃÄÑÁÖÁö ¸øÇÑ ³²Æí ¸ð³× ±× ³¯ ±×°¡ ÇÑ ÁöÀο¡°Ô ÆíÁö¸¦ º¸³» "¸¶Áö¸·À¸·Î ¾Æ³»ÀÇ ¸ñ¿¡ °É¾ÆÁÖ°Ô Àú´çÀâÈù ¾Æ³»ÀÇ ¸Þ´ÞÀ» ã¾Æ´Þ¶ó"°í ºÎŹÇÏ´Â °ÍÀ» º¸³ë¶ó¸é ¾î·Á¿î ½ÃÀý »ç¶ûÇÏ´Â ¾Æ³»¸¦ ÀÒÀº ³²ÀÚÀÇ ºñÅëÇÔ°ú ¾µ¾µÇÔÀÌ ±×´ë·Î ´À²¸Áø´Ù. À̶§ ±×´Â ¾Æ³»ÀÇ Á×À½À» ÁöÄѺ¸¸é¼ ½º½º·Î¿¡ ´ëÇØ ¸Å¿ì Ãæ°ÝÀûÀÎ °æÇèÀ» ÇÏ°Ô µÈ´Ù. The flight of the earls.........PHIL COULT